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Welcome!

August 19, 2009

Hi! I’m glad you’ve found this blog and hope it will be useful to you – or at the least, interesting. It was started predominately for my own use after years of having long and unruly ‘quote lists’, and I was excited by the ability to cross-reference, search using various criteria, and update whenever I had time…but that I can share them is a fantastic bonus.

To make it clear – this is not a list of my ideological basis or it’s antithesis. There are things I agree with completely, others infuriate me, while some just make me laugh – but all of them have informed my thoughts about authors, ideas and worldviews in some way. As this blog is mainly for organizational and personal use, what it contains (and why) changes and will continue to change every time I update it. However, it’s also public domain so please comment if you wish! I hope you find what follows illuminating, infuriating, occasionally helpful and hopefully always fascinating!

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The Origins of Consciousness in the Breakdown of the Bicameral Mind, pg 93-94

October 12, 2011

“If we are correct in assuming that schizophrenic hallunications are similar to the guidances of gods in antiquity, then there should be some common physiological instigation in both instances. This, I suggest, is simply stress. In normal people, as we have mentioned, the stress threshold for release of hallucinations is extremely high; most of us need to be oever our heads in trouble before we would hear voices. But in psychosis-prone persons, the threshold is somewhat lower; as in the girl I described, only anxious waiting in a parked car was necessary. This is caused, I think, by the buildup in the blood of a breakdown products of stress-produced adrenalin which the individual is, for gentical reasons, unable to pass through the kidneys as fast as a normal person.

During the eras of the bicameral mind, we may suppose that the stress threshold for hallucinations was much, much lower than in either normal people or schizophrenics today. The only stress necessary was that which occurs when a change in behavior is necessary becuase of some novelty in a situation. Anything that could not be dealt with on the basis of habit, any conflict between work and fatigue, between attack and flight, any choice between whom to obey or what to do, anything that required any decision at all was sufficient to cause an auditory hallucination.

It has now been clearly established that decision-making (and I would like to remove every trace of conscious connotation from the word ‘decision’) is precisely what stress is. If rats have to cross an electric grid each time they wish to get food and water, such rats develop ulcers*. Just shocking the rats does not do this to them. There has to be the pause of conflict or the decision-making stress of whether to cross a grid or not to produce this effect. If two monkeys are placed in harnesses, in such a way that one of the monkeys can press a bar at least once every twenty seconds to avoid a periodic shock to both monkeys’ feet, within three or four weeks the decision-making monkey will have ulcers, while the other, equally shocked monkey will not**. It is the pause of unknowingness that is important. For if the experiment is so arranged that an animal can make an effective response and receive immediate feedback of his success, executive ulcers, as there are often called, do not occur***.”

*W.L. Sawrey and J.D. Weisz, “An experimental method of producing gastic ulcers,” Journal of Comparative and Physiological Psychology, 1956, 49:269-270.
**J.V. Brady, R.W. Porter, D.G. Conrad, and J.W. Mason, “Avoidance behavior and the development of gastro-duodenal ulcers,” Journal of the Experimental Analysis of Behavior, 1958, I:69-72.
***J.M. Weiss, “Psychological Factors in Stress and Disease,” Scientific American, 1972, 226:106.

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The Origins of Consciousness in the Breakdown of the Bicameral Mind, pg 91-92

October 12, 2011

“Visual hallucinations in schizophrenia occur less commonly, but sometimes with extreme clarity and vividness. One of my schizophrenic subjects, a vivacious twenty-year-old writer of folk songs, had been sitting in a car for a long time, anxiously waiting for a friend. A blue car coming along the road suddenly, oddly, slowed, turned rusty brown, then grew huge gray wings and slowly flapped over a hedge and disappeared. Her greater alarm, however, came when others in the street behaved as if nothing extraordinary had happened. Why? Unless all of them were somehow in league to hide their reactions from her. And why why should that be? It is often the narratization of such false events by consciousness, fitting the world in around them in a rational way, that brings on other tragic symptoms.”

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The Origins of Consciousness in the Breakdown of the Bicameral Mind, pg 91

October 12, 2011

“Hallucinations must have some innate structure in the nervous system underlying them. We can see this clearly by studying the matter in those who have been profoundly deaf since birth or very early childhood. For even they can – somehow – experience auditory hallucinations. This is commonly seen in deaf schizophrenics. In one study, 16 out of 22 hallucinating, profoundly deaf schizophrenics insisted they had heard some kind of communication. One thirty-two-year-old woman, born deaf, who was full of self-recrimination about a therapeutic abortion, claimed she heard accusations from God. Another, a fifty-year-old congenitally deaf woman, heard supernatural voices which proclaimed her to have occult powers.”

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The Origins of Consciousness in the Breakdown of the Bicameral Mind, pg 87

October 12, 2011

“The only extensive study [of the frequency of hallucinations] was a poor one done in the last century in England. Only hallucinations of normal people when they were in good health were counted. Of 7717 men, 7.8 percent had experienced hallucinations at some time. Among 7599 women, the figure was 12 percent. Hallucinations were most frequent in subjects between twenty and twenty-nine years of age, the same age incidentally at which schizophrenia most commonly occurs. There were twice as many visual hallucinations as auditory. National differences were also found. Russians had twice as many hallucinations as the average. Brazilians had even more because of a very high incidence of auditory hallucinations. Just why is anyone’s conjecture. One of the deficiencies of this study, however, is that in a country where ghosts are exciting gossip, it is difficult to have accurate criteria of what is actually seen and heard as an hallucination. There is an important need for further and better studies of this sort.”

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The Origins of Consciousness in the Breakdown of the Bicameral Mind, pg 84-85

October 11, 2011

“In driving a car, I am not sitting like a back-seat driver directing myself, but rather find myself committed and engaged with little consciousness. In fact my consciousness will usually be involved in something else, in a conversation with you if you happen to be my passenger, or in thinking about the origin of consciousness perhaps. My hand, foot, and head behavior, however, are almost in a different world. In touching something, I am touch; in turning my head, the world turns to me; in seeing, I am related to a world I immediately obey in the sense of driving on the road and not on the sidewalk. And I am not conscious of any of this. And certainly not logical about it. I am caught up, unconsciously enthralled, if you will, in a total interacting reciprocity of stimulation that may be constantly threatening or comforting, appealing or repelling, responding to the changes in traffic and particular aspects of it with trepidation or confidence, trust or distrust, while my consciousness is still off on other topics.

Now simply subtract that consciousness and you have what a bicameral man would be like. The world would happen to him and his action would be an inextricable part of that happening with no consciousness whatever. And now let some brand-new situation occur, an accident up ahead, a blocked road, a flat tire, a stalled engine, and behold, our bicameral man would not do what you and I would do, that is, quickly and efficiently swivel our consciousness over to the matter and narratize out what to do. He would have to wait for his bicameral voice which with the stored-up admonitory wisdom of his life would tell him nonconsciously what to do.”

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The Origins of Consciousness in the Breakdown of the Bicameral Mind, pg 79

October 11, 2011

“It is not that the vague general ideas of a psychological causation appear first and then the poet gives them concrete pictorial form by inventing gods. It is, as I shall show later in this essay, just the other way around. And when it is suggested that the inward feelings of power or inward monitions or losses of judgment are the germs out of which the divine machinery developed, I return that the truth is just the reverse, that the presence of voices which had to be obeyed were the absolute prerequisite to the conscious stage of mind in which it is the self that is responsible and can debate within itself, can order and direct, and that the creation of such a self is the product of culture. In a sense, we have become our own gods.”

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The Origins of Consciousness in the Breakdown of the Bicameral Mind, pg 74

October 11, 2011

“Greek gods cannot create anything out of nothing, unlike the Hebrew god of Genesis. In the relationship between the god and the hero in their dialectic, there are the same courtesies, emotions, persuasions as might occur between two people. The Greek god never steps forth in thunder, never begets awe or fear in the hero, and is as far from the outrageously pompous god of Job as it is possible to be. He simply leads, advises, and orders. Nor does the god occasion humility or even love, and little gratitude. Indeed, I suggest that the god-hero relationship was – by being its progenitor – similar to the referent of the ego-superego relationship of Freud or the self-generalized other relationship of Mead. The strongest emotion which the hero feels toward a god is amazement or wonder, the kind of emotion that we feel when the solution of a particularly difficult problem suddenly pops into our heads, or in the cry of eureka! from Archimedes in his bath.”

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The Origins of Consciousness in the Breakdown of the Bicameral Mind, pg 64

October 4, 2011

“The assigning of causes to our behavior or saying why we did a particular thing is all a part of narratization. Such causes as reasons may be true or false, neutral or ideal. Consciousness is ever ready to explain anything we happen to find ourselves doing. The thief narratizes his act as due to poverty, the poet his as due to beauty, and the scientist his as due to truth, purpose and cause inextricably woven into the spatialization of behavior in consciousness.

But it is not just our own analog ‘I’ that we are narratizing; it is everything else in consciousness. A stray fact is narratized to fit with some other stray fact. A child cries in the street and we narratize the event into a mental picture of a lost child and a parent searching for it. A cat is up in a tree and we narratize the event into a picture of a dog chasing it there. Or the facts of mind as we can understand them into a theory of consciousness.”

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The Origins of Consciousness in the Breakdown of the Bicameral Mind, pg 61-62

October 4, 2011

In consciousness, we are never ‘seeing’ anything in its entirety. This is because such ‘seeing’ is an analog of actual behavior; and in actual behavior we can only see or pay attention to a part of a thing at any one moment. And so in consciousness. We excerpt from the collection of possible attentions to a thing which comprises our knowledge of it. And this is all that it is possible to do since consciousness is a metaphor of our actual behavior.

Thus, if I ask you to think of a circus, for example, you will first have a fleeting moment of slight fuzziness, followed perhaps by a picturing of trapeze artists or possibly a clown in the center ring. Or, if you think of the city which you are now in, you will excerpt some feature, such as a particular building or tower or crossroads. Or if I ask you to think of yourself, you will make some kind of excerpts from your recent past, believing you are then thinking of yourself. In all these instances, we find no difficulty or particular paradox in the fact that these excerpts are not the things themselves, although we talk as if they were. Actually we are never conscious of things in their true nature, only of the excerpts we make of them.

The variables controlling excerption are deserving of much more thought and study. For on them the person’s whole consciousness of the world and the persons with whom he is interacting depend. Your excerptions of someone you know well are heavily associated with your affect toward him. If you like him, the excerpts will be the pleasant things; if not, the unpleasant. The causation may be in either direction.

How we excerpt other people largely determines the kind of world we feel we are living in. Take for example one’s relatives when one was a child. If we excerpt them as their failures, their hidden conflicts, their delusions, well, that is one thing. But if we excerpt them at their happiest, in their idiosyncratic delights, it is quite another world. Writers and artists are doing in a controlled way what happens ‘in’ consciousness more haphazardly.”

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The Origins of Consciousness in the Breakdown of the Bicameral Mind, pg 60

October 4, 2011

“Things that in the physical-behavioral world do not have a spatial quality are made to have such in consciousness. Otherwise we cannot be conscious of them. This we shall call spatialization.

Time is an obvious example. If I ask you to think of the last hundred years, you may have a tendency to excerpt the matter in such a way that the succession of years is spread out, probably from left to right. But of course there is no left or right in time. There is only before and after, and these do not have any spatial properties whatever – except by analog. you cannot, absolutely cannot think of time except by spatializing it. Consciousness is always a spatialization in which the diachronic is turned into the synchronic, in which what has happened in time is excerpted and seen in side-by-sideness.”

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